Velazquez, Diego Las Meninas 1656 When placing yourself by means of with(predicate) the eyes of Diego Velazquez, one has many enquires. These questions arrange from the axiomatic observations to the most acute of details. However, I, being an average attestant of machination from a background of primarily pop culture, had a troublesome time selecting exactly what questions to ask this painting. The real question that repeatedly surged in my spirit was the question of mystification or the assist of explaining away what might otherwise be plain(112). Was I going to view this prowess like the common sight and be mystified like Berger predicted I would be? Well, yes and no. When I counterbalance looked at the portrait of Las Meninas, the st device-off question that came to my mind was why the characters of the painting were positioned in the numerous fashions that they were. I promptly thought of the Virgin of the Rocks by da Vinci da Vinci. The thought- play was that both(prenominal) paintings consist of a central figure. Although, in both, there be other characters engaging in fall in activities. Then, I realize that I had already mystified the art by eyesight it through the painting, Virgin of the Rocks, rather than think the painting through the eyes of the artist, Diego Velazquez.
My initial experience with this art was similar to the process of mystification. I was explaining away what the artist precious me to see. The only impregnable way to see the art for what it could possibly convey was through a Berger analysis. Once again, I asked myself why the characters were positio ned the way they were. My eyes first focused! on the infinitesimal missy in the nerve centre of the painting. It is true that the girl in the center dominates the scene, both by her dignity for she has already... If you postulate to get a full essay, pitch it on our website:
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